
Question: “Krishna is often depicted holding and playing a flute. Is there any special significance to this flute?”
Answer: There are certainly different forms of the original Personality of Godhead, the almighty entity that we know as God. The varieties in appearance speak to the different natures of man. Not only are there varieties in the human species, but in fact there are up to 8,400,000 different forms of life, each of which has its own tendencies, desires, and activities that bring it pleasure. Only one person is the father of every species, and hence only one person knows how to please everyone. This entity is so potent that by taking to self-pleasing activities, He can attract the hearts and minds of those who are dying to offer their service in a pure and loving way. As the ultimate reservoir of pleasure, the Supreme Lord simply has to engage in one of His innumerable sports to give pleasure to those who are intimately associated with Him, the devotees. Of all the forms of Godhead, only the original, Lord Krishna, is capable of instigating the highest transcendental mellow, or rasa, from the purified soul. Not surprisingly, Krishna’s flute plays an integral role in this divine enchantment.
The power of the individual comes from the soul, which is an expansion of the Supreme Spirit. Not surprisingly, this most powerful spiritual entity is the Supreme Lord. Depending on the time, circumstance, and understanding of the members of society, the Divine Entity is addressed by different names. In the Vedic tradition, the name Krishna is considered the best because it speaks to the Divine’s most important feature: attractiveness. Only God can attract everyone; hence the name Krishna, which means all-attractive, becomes most appropriate. Nevertheless, Lord Krishna, in His original all-attractive form, doesn’t necessarily remain in the material world at all times. His presence is certainly felt everywhere, as not a blade of grass can move without His sanction, but this influence is of the secondary variety. Krishna is in everything, but not everything is in Krishna.
“By Me, in My unmanifested form, this entire universe is pervaded. All beings are in Me, but I am not in them.” (Lord Krishna, Bhagavad-gita, 9.4)
“The Blessed Lord said: Many, many births both you and I have passed. I can remember all of them, but you cannot, O subduer of the enemy!” (Bg. 4.5)
Irrespective of size, both souls are very powerful; yet the Supersoul has greater capabilities. The Supersoul is responsible for the memory of previous experiences and the awakening of divine consciousness. Since the soul is similar in makeup to God, it is ever-existing; it cannot be destroyed in any way. The outer covering of the soul, the body, is temporary; thus the soul can travel from different body types, one after another, life after life. Once a new body is assumed, i.e. when the event known as birth takes place, experiences from previous lives are forgotten. Moreover, when entrapped in a particular outer covering, the individual only remains conscious of its own activities. An individual might become aware of what others are thinking and feeling, but this is only accomplished through external interaction. The soul never travels into another person’s body. Even in the case of powerful yogis who can travel through space with their souls, there is no way to become conscious of what every single person is thinking.
Achieving perfect yoga is not easy, so for the benefit of the conditioned souls illusioned by their contact with material nature, the original personality of Godhead, Shri Krishna Himself, descends to earth in various visible forms. Generally the difference between the Supersoul and the incarnations is described in terms of nirguna and saguna. Nirguna means without material qualities and saguna means with material qualities. The Supreme Lord, as the creator of matter, can never become subject to its influence; hence He is never saguna. Nirguna and saguna are from the perspective of the conditioned entity, who is unable to properly conceive of the Lord’s immensely powerful and gigantic transcendental form. The avataras, or saguna forms, are representations of the same Supreme Lord residing within the heart as the Supersoul.
Lord Krishna Himself, the original Personality of Godhead, appeared on this earth some five thousand years ago. On the surface, there seemed to be an outward cause, that of the influences of a monarch named Kamsa. According to a prophecy told to him, Kamsa was to be killed by the eighth son of his sister Devaki. After killing her first seven children, Kamsa eagerly anticipated the birth of the eighth. To fulfill the prophecy and to rid the world of the harmful effects of Kamsa, Shri Krishna, in a diminutive form, appeared from the womb of Mother Devaki as her eighth child. Through a series of interconnected events, Krishna made His way to Vrindavana in His youth, where He would remain for some years until the time was right for Kamsa’s demise. Eventually Kamsa would be killed directly by Krishna in a fight, and the primary purpose for the Lord’s advent would be fulfilled.
In His original form, Krishna is only interested in pleasurable activities. Therefore, the pastimes and actions most remembered by devotees, those events that evoke the strongest transcendental loving feelings, are the ones enacted in Vrindavana during Krishna’s youth. Though Krishna appeared from the womb of a woman married to a member of the warrior caste, Krishna’s foster parents were of the mercantile order, vaishyas. Thus Krishna grew up on a farm, tending cows with His fellow friends and neighbors. It is seen that since in the country children have much more room to play, they will spend a large portion of the day running around on various fields and enjoying playful activities. Krishna was no different in this regard; the only difference was the effect of His activities. Krishna was no ordinary boy, and neither were His friends any ordinary children. Krishna’s associates were of the highest consciousness, yogis practicing the ancient art of bhakti. Their level of devotion was so great that they didn’t even know what bhakti was. Oftentimes there are debates as to which type of yoga is superior. Some take to yoga through intense meditation, while others take to the analytical study of the differences between matter and spirit. Bhakti, however, is always superior because it is the only form of yoga that never stops and never diminishes. Bhakti is the essence of spiritual life, the natural disposition of the soul. Only in bhakti does the yogi forget even what yoga is. When in the presence of superior company, all mundane rules, regulations, and distinctions are immediately forgotten.
“My dear sir, Krishna’s form was most wonderful when He appeared on this planet and exhibited the potency of His internal energy. His wonderfully attractive form was present during His pastimes on this planet, and by His internal potency He exhibited His opulences, which are striking to everyone. His personal beauty was so great that there was no necessity for His wearing ornaments on His body. In fact, instead of the ornaments’ beautifying Krishna, Krishna’s beauty enhanced the ornaments.” (Uddhava speaking to Vidura, Shrimad Bhagavatam, 3.2.12)
There is a common saying that men fall in love with their eyes and women fall in love with their ears. Though the validity of such a statement can be debated, the effect that Krishna had on the ears of His transcendental associates cannot. Through the sweet, melodious sounds emanating from His flute, Krishna enraptured the hearts and minds of His gopa friends, the cowherd boys of the neighborhood. But the reach of sound is far greater than the reach of sight, so the playing of the Lord’s flute would touch all the residents of Vrindavana, including the cowherd women, the gopis. Though most of these women were married, they fell completely in love with Krishna simply by seeing Him and hearing the sound of His flute. In fact, the gopis represent the upper limit of devotion, the highest perfectional stage that anyone – be they a yogi, karmi, or jnani – can ascend to. The gopis’ minds are always fixed on Krishna, irrespective of the task they are engaged in.
“My dear gopis, what auspicious activities must the flute have performed to enjoy the nectar of Krishna’s lips independently and leave only a taste for the gopis for whom that nectar is actually meant. The forefathers of the flute, the bamboo trees, shed tears of pleasure. His mother, the river, on whose bank the bamboo was born, feels jubilation, and therefore her blooming lotus flowers are standing like hair on her body.” (Gopis glorifying the song of Krishna’s flute, Shrimad Bhagavatam, 10.21.9)
Is there any special significance to the flute? Why the flute over any other type of instrument? The shortest answer is a question: why not the flute? Shri Krishna, as the Supreme Personality of Godhead, is the only person in the world that doesn’t have to listen to anyone. If He takes pleasure in playing the flute, who are we to say that He should take to any other instrument? The flute is actually always with Krishna, even in the spiritual world. Penetrating the material elements that cover the soul, transcendental sound vibrations serve as the most effective way to liberate one from the clutches of material existence. These sound vibrations can take the form of words of instruction from the devotees and songs of praise directed at the Supreme Lord, but the most potent sound vibration is that emanating from the flute of the Supreme Lord.
“My dear lotus-eyed Lord, Your statement that we are not a fit combination is completely right. It is not possible for me to come to an equal level with You because You are the reservoir of all qualities, the unlimited Supreme Personality of Godhead. How can I be a fit match for You?” (Rukmini speaking to Krishna, Krishna, The Supreme Personality of Godhead, Vol 2, Ch 5)
Shri Krishna once mentioned many of these apparently contradictory qualities in a conversation with His principal wife, Rukmini. Wanting to play with Rukmini a little bit, Krishna sarcastically asked her why she was attracted to Him, for He was not qualified in any way to have such an exalted princess for a wife. Though Krishna was joking, Rukmini retorted that Krishna was indeed correct in His assertions, for as the Supreme Lord, no material designation could accurately be tagged to Him. No one could figure out what caste He belonged to, for even other kings would ridicule Krishna for having tended to cows in His youth. No one could understand His financial disposition either, for although He was the protector of Dvaraka, He wasn’t necessarily the acknowledged ruler of the community. Lord Krishna did not belong to any of the modes of material nature – goodness, passion, or ignorance – because as the Supreme Lord, He was transcendental to all of them; something understood perfectly by Rukmini Devi.
